Propp’s work may not have a solid correlation to my own work, as his theories are situated around Media rather than Photography. However I thought it would be interesting to research his theories to gain a better understanding of Narrative theories and broaden my knowledge.
Vladimir Propp’s was a Russian scholar who theorised Narrative plots. His concepts are still relevant in a lot of movies nowadays.
The first area that I will be looking at are Character Theories:
- The Hero: The hero drives the story and is the one that the plot revolves around, as well as the one who finds the solution to the problem.
- The Villain: The Villain is the one that opposes the hero. The negative force in contrast to the hero’s positive force.
- The Donor: The Donor gives the hero something which helps the hero drive forward
- The Dispatcher: The Dispatcher is the one that sends the hero on their journey
- The False Hero: The False Hero is the one that falsely assumes the role of the hero, which throws the reader or viewer off course
- The Helper: The one that supports the hero. They are similar to the Donor, except they are givers of knowledge or power rather than giving the Hero something or someone
- The Princess: The Princess is the reward for the hero. Generally the Princess is captured or in need of rescuing, protecting, from the Villain.
- The Father: The Princesses Father
Generally within Narrative the are 6 (main) functions:
However Propp’s reduced all Narratives and found that there are 31 separate sequence of events (His research came from reading Folk Tales/ Fables):
- Absentation: Family member leaves home or the security of the environment. This is generally where the hero is introduced
- Interdiction: The hero is warned against their course of action, “Don’t do this”, “Don’t go there”
- Violation of Interdiction: Interdiction is violated. The Villain, although may not have confronted the hero, is then introduced
- Reconnaissance: Villain attempts reconnaissance, seeking information, something valuable, hostage. Someone may divulge information. Villain may wish to meet the hero
- Delivery: Villain gains the information or what they required
- Trickery: Villain attempts to trick the hero
- Complicity: The Hero is deceived by the Villain and unwillingly/ naively helps
- Villainy or Lack: Villain may cause harm to the hero or family, take something away from the hero that they needed. A good example of this is in Disney Hercules, when Hades takes Hercules Demi- God Powers away, reverting him mortal whilst he is summoning the Titans.
- Meditation: The misfortune and lack is known to the hero, dispatched to give aid
- Beginning Counter- Action: Seeker agrees/ decides upon a counter action. The Hero decides to act in a way that will resolve the lack
- Departure: Hero leaves home
- First function of the Donor: The hero is tester, interrogated, attack and so on. Preparing the way for the Donor
- Hero Reaction: Hero reacts to the actions of the future Donor
- Receipt of a Magical Agent: Hero acquires use of a magical agent
- Guidance: Hero is led to the whereabouts of an object of search
- Struggle: Hero and Villain combat
- Branding: Hero is wounded or branded (scar or mark)
- Victory: Villain is defeated or banished
- Liquidation: Initial misfortune or lack is resolved
- Return: The Hero returns
- Pursuit: Hero is pursued
- Rescue: Hero rescued from pursuer
- Unrecognised Arrival: Hero returns home or Another country unrecognised
- Unfounded Claims: False hero presents unfounded claims
- Difficult task: Difficult task presented to hero that they must over come
- Solution: Task overcome
- Recognition: Hero is recognised, by mark, brand or item
- Exposure: False hero or Villain exposed
- Transfiguration: Hero is given new appearance e.g. New garments
- Punishment: Villain is punished
- Wedding: Hero marries, ascends, promotion = Happy Ending
As stated above most of this will not fit in with Photographic Narrative in some circumstances, however I have enjoyed researching about this as I am interested in Narrative sequencing and story telling. So it may not fit everything, but I would like to take aspects from Propp’s theories and try and link them into my own work.